Was thinking about doing this as the last beginners’ class subject. However I think it’s a little too involved. Fun though.
Kathy Speranza roses are spectacular and I was watching her online rose course yesterday and thought I’d have a go. She makes it look so easy! And boy can she paint. I’ve done a number of flower paintings with Paul Foxton but it’s always good to see how others approach things.
Pass 1 on Kathy Speranza Roses
Above is the result of the first pass. It’s oil on a 9″x12″ canvas board. I have to admit that I’m not doing her exact method. She does an underpainting first and a number of preliminary drawings but I thought I’d have a go at the block in to see what happened. Pretty happy so far.
Pass 2 – Refining the Color and Form
Pass 2 on the Kathy Speranza rose workshop. This is lesson 6 and the second pass putting on color. I’m finding this tricky but slowly getting into the slow pace of things. Usually I would be finishing up by now but I think there are a few more steps to go. Each with a week’s drying in between so we’re in for the long haul. This one was refining the background, values and edges. I also introduced some more chroma into the centers. A very little paint goes a long way with this method and I’m starting to enjoy it very much.
Next Steps – Pass Three on Kathy Speranza Roses
I still need to finish this painting. I’m a bit nervous – don’t want to ruin it. I’ve watched her final video and it gets pretty philosophical. Interesting though and makes a change from more practical approaches. Both are needed of course and it’s been really worthwhile looking at flowers from a different perspective.
Value studies are often associated with landscapes but they’re very useful in still life. This rose watercolor value study was hugely instructive for the follow up painting.
Yesterday’s Paul Foxton workshop session was cancelled but I thought I’d go mad and do a watercolor value study instead. Sheesh!!! So hard getting those close values in watercolor and still keep the form and light. But I think I did pretty darn well .
Here are some intermediates :
We planted three David Austin rose bushes this year. Our track record with plants is hit or miss to put it generously so I was pretty pleased that they all flowered albeit sparsely and with tiny blooms. However – these are our own roses grown by our own fair hands. I don’t think this is quite finished yet. I need to leave it on the easel and see what it needs in the next couple of days. I’m pretty happy at the moment though. The values are good, the edges have a nice variety to them and they have some life.
Here are some intermediates:
This is the block in stage with the major values. Pretty much 2 or 3 for each flower, 2 for the leaves and 2 for the background. All hard edges right now and it looks pretty nasty.
All the edges are now softened with a combination of a comber brush and a soft sable. At this point I can start to see which areas will be left soft and which will be sharpened up.
This is right at the start of the process of refining and sharpening up the edges. Only a few edges have gone in but you can see it start to come to life. This is the magic bit!
This is the current state. The edges have been redefined, some petal detail has gone in and some extra values. A good day’s work I think.
The ex members of Paul Foxton’s Threads are carrying on with monthly exercises and this month’s is ‘limited palette’. I’m going to introduce color for the next one but wanted to start with a value study first. Pretty tricky – there are a lot of close values in there