Penguin Watercolor Sketches

Penguin watercolor sketches and a complete watercolor penguin painting. Ideas for how to make penguin painting easy.

Watercolor penguin study
Watercolor penguin study

So penguin watercolor sketches are the topic for today. The reason for this is that I’ve had a commission on the todo list for a while now. Specifically it is for a panoramic penguin painting featuring multiple species of penguins. James has requested it and the final painting will hang in our main living room. It’s going to be a challenge.

Are Penguins Good for Beginner Watercolor Paintings?

Penguins are great for beginners watercolor painting. They are fairly easy to draw and quite forgiving if you don’t get complete accuracy. When it comes to the painting the penguin coloring really helps us. They have wonderful white bellies with very dark wings and back. This high contrast helps us when painting – we don’t have to hit really accurate values to get a convincing penguin painting. So if you’re looking for beginner watercolor ideas (or even if you’re a seasoned pro!) penguin watercolors are for you!

Watercolor Supplies Needed

You don’t need too many supplies for a basic watercolor kit. Some paper, a brush and some paint. However there are a lot of options to choose from. Below I give you my preferences and some more budget options for a beginner watercolor set.

Watercolor paper for our Watercolor Penguins

First and foremost we need some paper. It’s the most important thing to make watercolor painting easier. However the best watercolor paper i.e. 100% cotton paper is not cheap. I tend to use Fabriano Artistico 140lb cold press. It’s a great paper and you can get some good deals on it from cheapjoes.com or Jerry’s Artarama. A lot of people swear by Arches watercolor paper. It is a great paper and especially if you’re beginning watercolor painting. However it is a little more expensive. For the sketches a student grade paper is fine. I like the Fabriano ‘fat’ pad which is 25% cotton and takes paint reasonably well. I also use a Strathmore watercolor sketchbook which, although not as good as the Fabriano, is a good choice.

Best Watercolor Brush

Brushes are the next most important thing for your penguin watercolor. The absolute best watercolor brushes are made from Kolinsky sable and are eye-wateringly expensive. However, all is not lost! There are a number of really good synthetic brushes available that come close to that sable experience. For the best synthetic watercolor brush I like the Princeton Aqua Elite and the Escoda Reserva brands. I’ve also recently used the Silver Black Velvet brushes which have a nice feel to them.

Whichever brand you go with you’ll need around a size 10 round and it should come to a good point when wet and hold a good amount of water.

Vermont farm watercolor

Online Zoom Classes

I run online zoom courses regularly for both beginners and more advanced students. Please check out my workshop page.

Best Watercolor Paints for our Penguin Watercolor

The watercolor paint you use is less important than the paper. Pretty much any quality artist watercolor paint will work well and most of the student brands too (e.g. Lukas Studio, Winsor & Newton Cotman). Even something like the Artists Loft watercolor tubes will be fine for some sketches.

Colors needed:

  • Ultramarine Blue or cobalt blue watercolor paint.
  • Cerulean blue (not absolutely essential but I like the way it granulates)
  • Burnt Sienna
  • Cadmium orange (or a red and a yellow so you can make orange)

First things first – start off with some sketches to see how the different penguins look.

Miscellaneous Watercolor Supplies

  • Mechanical pencil for the penguin drawing
  • Masking tape to tape our paper to a board (not needed if you’re using a watercolor block)
  • Spray bottle to keep our paint moist.
  • Palette with large white mixing areas (a white plate can suffice in a pinch).
  • Water and water pot
  • Paper towels.

So that’s the watercolor painting kit dealt with. Let’s get back the penguins!

There are many different species of penguin

There are apparently 18 species of penguin. Some are more visually attractive than others so sorry, but the little Australian penguin probably won’t make the cut. Of them all the rockhopper sketch came out very well as did the gentoo sketch. I also found out that I’ve been painting king penguin watercolors and they’ve been painting an emperor penguin watercolor all this time. Silly me!

My approach was to pick a penguin and quickly get down the main shapes. I tried not to dwell too much on the drawing accuracy (within reason of course). Keeping the lines and shapes interesting was more important than accuracy. I took a couple of liberties with the penguin feet drawing. Not all penguins have orange feet but I like that pop of color so orange they were. One of the sketches that wasn’t quite as successful as the rest was the ‘unknown penguin’. I really liked the pose with the outstretched wing but the penguin plumage itself wasn’t particularly interesting. I may transplant the pose onto another species and see how that works.

You have to paint quickly on sketchbook paper

I was painting these fairly small (around 4 or 5 inches) in a Strathmore watercolor sketchbook. This isn’t the worst paper to paint on in the world but it’s no Arches or Fabriano Artistico. The paper is fairly substantial but not very absorbent. The paint dries quickly and blending is hard. This means that you have to work fast and not noodle over things too much. But it lends itself to a very loose and energetic style which I like for a watercolor sketch.

Next Steps for Our Penguin Watercolor

A watercolor penguin sketch makes for an enjoyable afternoon’s painting. The next step will be to compose them so they look interesting and not just pasted in a line.

Panoramic Penguin Watercolor Painting – The Study

panoramic penguin watercolor study by Michele Clamp
The final study for the panoramic penguin painting

The next day was time to get back to the penguin watercolor painting. I had a piece of paper ready cut but it had curled too much to paint on. So while I was waiting for it to flatten out overnight I used the offcut to do a quarter size test study. This is 6″x17″ and the final thing will be 32″x11/5″ which will be a pretty big scale up.

I’d done some sketching out of the composition on the ipad a couple of nights ago and was pretty happy. Everything is out of my head and from experience of previous paintings. I’m still wondering whether a few extra penguins will make their way in there but it hangs together pretty well so far.

penguin ipad study by Michele Clamp
penguin ipad study by Michele Clamp

First the drawing. 

penguin drawing
Penguin drawing

Looks ok so far. The shapes are good. There’s lots of overlapping shapes and the background cliffs tie everything together horizontally.

Now into the painting.

penguin watercolor painting first stage
Penguin painting first stage

The sky went in ok. I was thinking of maybe masking the cliffs but in the end it wasn’t an issue. The darks of the penguins look good. Not a lot of detail here. All the work is being done by the shapes.

penguin watercolor painting second stage
Penguin painting second stage

I’m pretty far along here. Everything went pretty straightforwardly. Just goes to show what a bit of planning can do. I’m still wondering whether to add in a couple more penguins on the right. And those two wings in the center two penguins are a little too similar so that might change.

And the final thing again

penguin watercolor painting final
Penguin watercolor painting – final study

Vidoe of an Easy Watercolor Penguin Tutorial

If you’re interested in painting an easy penguin watercolor have a look at my youtube penguin painting tutorial below. It’s designed as a beginner watercolor tutorial so, if you try it, please let me know how you get on. And please subscribe to my YouTube channel if you’d like to see more demos in the future.

YouTube player

And Finally if you Like This Penguin Watercolor….

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Michele Clamp Studio Wall

Asaro Head Study

It’s been a while since I’ve done any portrait painting. Getting warmed up by doing some Asarohead practice. Very useful to have the planes clearly shown. A bit like painting a very complicated cube.

Online Asaro Head

There’s a great online 3D head by William Nguyen at Artstation. It’s not an exact Asaro head but has the main planes and is very similar. You can rotate it using the mouse and the lighting moves around the head so you can pause the video at the exact pose and lighting setup you need.

Apple Color Study – Session 2

Apple still life oil painting study
Apple Study. Michele Clamp. Oil on panel. 5”x7”

This is the apple color study – session 2 (session 1 is here). After the struggle with surfaces last time this was never going to be a masterwork. But it’s been interesting (never thought apples could be that interesting). The painting is never going to hang on a wall but I wanted to work more on this and really try to get the colors as close as I could. It’s really good training in mixing but more importantly in just looking. Getting closer I think.

Munsell Chips to the Rescue

Munsell chart 10YR and oil painted copy
Munsell chart 10YR and oil painted copy

A couple of years ago I was really struggling with color in my watercolor painting. After googling a little I found Paul Foxton’s site learning-to-see.uk. He is an oil painter and, after a workshop with Anthony Waichulis weeas a convert to using the Munsell classification for color. He found it transformed his color work and, I’m now a convert too.

I won’t go into details here. If you go to Paul’s site and/or youtube channel he has a lot of free videos describing his process. It has been a godsend for me. I’m now able to see, mix and use color much better. I can now be much more accurate in my mixes but that’s not the main thing. The fact that color identification and mixing is no longer a lottery for me I can now be *much* more expressive color-wise. Gaining a skill in this area has increased my powers of expression through paint and is much more enjoyable as a result.

I will likely go into more detail about Munsell and watercolor in upcoming posts.

So I used Munsell chips extensively in this apple painting. You can buy (at great expense sadly) a large book of 1600 painted chips which cover the gamut of all the colors you can reach in paint. Identifying the colors you need in you setup you can then pluck out the relevant chips and mix to those.

Thanks to Munsell chips the apple study – session 2 was a success!

Oil Painting Surfaces – A Cautionary Tale

Apple still life oil painting study
Two Apples. Michele Clamp. Oil on panel. 5”x7”

Yes I never thought the title would be ‘oil painting surfaces- a cautionary tale’. Today was supposed to be a set of apple studies with different types of brushwork. It turned into a sorry saga of unsuitable surfaces. With pretty horrible results.

Strathmore Canvas paper – too absorbent for oil paint

As this was just meant to be some studies I first started with a quarter sheet of Strathmore canvas paper. I’ve used this before with good results but what I forgot was that I gessoed the surface first before painting on it. And this time I didn’t. Ugh! The paint just sinks in, you can’t blend it, and it somehow darkens and goes matte on the paper. After struggling for an hour or so trying to get the paint to cover the surface (it soaks in and in!) I gave up. Here’s the result:

Disastrous apple still life oil painting on canvas paper

Blergh. Almost no form on that left hand apple even though I was *so* careful with the values.

Not all ‘gessoboard’ is the same

After a quick stomp around the studio I fished out a small 5”x7” Ampersand gessobord. *Gesso* board so this surface must be ok yes? Hmm. Well it was better but boy so slick! The paint just rides around on the surface as there’s no tooth to speak of. It was definitely better than the paper but only just. Here’s my chunky block-in.

Apple still life oil painting study color block in
Apple still life oil painting study color block in

Kinda okay. I had a lot of trouble getting the chroma right on the light side of the apple. I was using Munsell chips but was still struggling. Will try and tweak that tomorrow and see if I can get it right. It has a certain charm but nowhere near what I was aiming for.

Finally I blended some of the edges and beefed up the darks a little. And that was it for the day. 4 hours – 2 apples! I have to get back to watercolor.

Apple still life oil painting study softened edges
Apple still life oil painting study softened edges

10YR Munsell Chart – Can I Match it?

A 10YR Munsell chart wouldn’t have meant anything to me 2 years ago. But learning to think about color in Munsell terms i.e. hue/value/chroma has been game-changing for me. It has been the single thing that has improved my painting over the last couple of years. Not the most exciting thing today but useful nonetheless. I’ve been thinking about how long it would take to reproduce every chart in the Big Munsell Book in oil. This is the gold standard if you’re working with Munsell and is eye-wateringly expensive. The recommendation is to start with the student book which has fewer chips but is only around $100. You can also pick up used editions on Ebay every now and again.

All About The Munsell Color System

If you want to know more about Munsell see my new post about what it is and how to use it. Includes a link to downloadable pdfs and access to the online Munsell tool ChromaMagic.

Munsell wheel at different values

New! ChromaMagic

A free online tool to identify Munsell chips from any photo.

How Easy is it to Mix a 10YR Munsell Chart?

So there are 40 charts and around 1600 colors in total. I thought I’d start with the chart that always seems to be present – 10YR. This is a yellow orange hue and has the full range of colors from light to dark and bright to gray. It took me around 4 hours to exactly mix every swatch. Phew! At one a day this would take me 40 days. Hmm.

Here’s the same thing in grayscale (actually desaturated). Each row should look exactly the same value.

Grayscale Munsell chart and oil painted copy
Munsell Chart 10YR Desaturated.

Not too bad. A couple of wobbles here and there but pretty close.

I did this on Strathmore canvas paper and marked out the swatches with 1/4 inch masking tape. I should have waited until tomorrow to take the tape off but couldn’t wait 🙂

Online Watercolor Classes

I don’t explicity teach Munsell in my watercolor classes but I do use the principles when mixing color. I run regular beginners and intermediate/improvers classes throughout the year. If you are interested please visit my classes page. If you would like to be notified of any upcoming classes please sign up for my mailing list.

Vermont farm watercolor

Online Zoom Classes

I run online zoom courses regularly for both beginners and more advanced students. Please check out my workshop page.

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Michele Clamp Studio Wall

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Beginning Watercolor Session of Sunflowers

Sunflower watercolor progress photos by Michele Clamp
Progression Photos of a Sunflower Painting Class

Keep those darks in reserve until the lights are in

Today was the Beginning Watercolor Session of sunflowers. Here are few progression shots of today’s class painting. As you can see things always look flat and almost cartoonish until quite a way through the painting. Then the darks go in and everything comes together. It’s one of the most difficult things to do in watercolor – holding back with the detail and getting the basic shapes and values right. It takes faith and a bit of experience but always reaps rewards.

New Direction for Watercolor Classes

Today was the last zoom class in my Beginning Watercolor Workshop for the Newton NewArts center. It’s been a fun 6 weeks and I always enjoy these classes. It’s good to get back to basics and go slowly through mixing colors, values, washes. However, I’ve decided to rethink this set of lessons. There’s a lot to get through in 6 weeks. I’m going to break it down into shorter 1 or two hour sessions based around techniques. These are going to be available in the next few weeks via YouTube and facebook livestreams. People will be able to buy them one by one depending on what they’re interested in.

I still love doing the whole painting demos and I will be offering these in parallel. This way you can take a technique class or two followed by a painting class or vice versa. I’m hoping this will work well and we had a great discussion in class today. We talked about what works when you’re starting out with watercolor that reflects these decisions.

Video Demos

As this was a private group class I don’t have video of this painting. If you’re thinking of taking classes (or just want to see how I go about things) please have a look at my youtube channel. Alternatively you can have a look at my video page on this site. I don’t have any sunflower painting currently. Howeve, there are a couple of other flower videos that may be of interest.

YouTube player

Original Sunflower Painting for Sale

A final note. After having this up in the studio for a while I decided I iiked a previous version of this enough to put it up for sale.