Value Study Landscape

Painting is slowly getting easier in that it doesn’t feel like pulling teeth any more. The results may or may not be getting better but at least the process is getting more familiar and I’m getting some enjoyment out of it.

I’m continuing with value studies from my lucky dip photo bag. This one I applied my simplifying technique of stripping everything back to a few value shapes and finally a single detail shape with the bulk of the contrast. This detail shape can be a pretty odd shape and, in this scene, includes the foreground trees as well as the bushes on the other side of the bank. They’re contiguous in 2d if not in 3d.

I think this worked out quite well. It’s not meant to be a finished painting but I think I could work this one up if I wanted to. Onwards!

Venice and Watercolor Value Studies

Varying the value range alters a painting’s feel

The plan behind venice and watercolor value studies is the following. Take a reference and paint it three times. The middle one is painted as closely to the actual value range in the reference as possible. The top one is shifting and compressing the value range to the top i.e. lighter than the reference. And similarly the bottom one is shifting and compressing the value range to the bottom i.e. darker.

Change the values but keep the value relationships

The first goal with these studies was to see whether we could shift the values but still keep the value relationships. If the relationships are good then the scene will read correctly. And I think they all do. None of them are great paintings but you can see they all represent the same thing.

Shift the values to change the atmosphere

The second goal was to change the feel of a painting by shifting the values. I thought the lighter one might have a more misty, ethereal feel. And the darker one would be more moody. Well I don’t think I succeeded here. Maybe I’m over simplifying the process. But it definitely an exercise worth doing.

Some days nothing really works

Wasn’t really feeling it for this one. Let’s hope I can pull something out of the bag for tomorrow’s class. In any case it was good practice for value studies. I’ve also included a larger version below. Again I’m not really happy with it – just one of those days I suppose.

venice sunset watercolor
venice sunset watercolor

And a link to someone who can really nail this – Joseph Zbukvic

A lot of you will know of Joseph Zbukvic. His value handling (amongst many other things) is spectacular.

Watercolor by Joseph Zbukvic

Yes well we’re all depressed now aren’t we? He actually uses quite a narrow range of values here but expertly implemented.