The Paul Foxton rose still life oil painting is not finished but a long way along. This was the final session in the workshop and it’s been the best one so far. The painting is almost at the end point. I can probably finish the painting after another session. Phew!
We’ve been on this workshop for 8 weeks and we’ve done various aspects of the full painting before spending the last 2 sessions on the final thing. We’ve done a value study, a color study, a close-up of the roses, and a session on painting cloth which I didn’t post about for some reason. The first session didn’t involve painting but Paul took us through how he sets up and lights a still life. My interest in this a year ago would have been pretty small. However, the setup is an extremely important part of the painting. If your setup doesn’t work well the painting never will.
I try and keep a tidy painting station as far as possible. I’m used to painting with watercolor and it’s easier to keep the paint under control (on the palette if not the paper). The paint does wash off (mostly) but with oils it can get everywhere if you’re not careful. A near mid-value gray on my glass palette makes it easier to judge the values of mixes. Probably due to my watercolor background I try to use only a few brushes which does mean I have to clean them as I go. The upside is cleanup at the end of a session is pretty quick.
This rose still life oil painting has been my most ambitious oil painting to date. Paul has done a lot of the heavy lifting of course. His setup was fabulous and he took us through all of the mixing and the brushwork as we went along. I highly recommend him as a teacher. His knowledge of color and mixing is worth it alone.