Oil study – Lime Wedges and Backgrounds

Oil study for Threads

Well this was fun. I learned a lot here. The subject was a lime wedge against different colored backgrounds. In the end I used pretty much the same colors for the wedge itself but the background (obviously) and the foreground and reflection changed color. In particular that reflection, even though it looks yellow/orange is in real life a pure grey. Who’d have thought? In hindsight I should have known as a yellow reflection on a gray background will result in a neutral gray!

Here’s a closeup of the result

Lime wedge oil study

Limited Palette – Final(ish) Results

Two limited palette studies. The left hand one is with quin magenta, cadmium yellow, cobalt teal. The right hand one is with naphthol red, cadmium lemon and winsor blue (green shade). Really surprised how close the colors are between the two sets.

This one is with the Zorn palette of cadmium red (actually naphthol), yellow ochre and black. Lovely muted colors and really surprised how blue that pot looks with only ivory black and white.

Still Life Photos


I’m starting to prepare for next months classes and needed some good, clear still life references. Out with the trusty tripod and LUMIX ZS50, some coroplast board and assorted fruits. I like to have bright and light photos for my still life classes. The classes are great for practicing color identification and mixing and the fruit shapes are simple enough for beginners to tackle. While I had the gear out I took some photos of my white wood blocks and colored spheres. The blocks are great for practicing painting values and the spheres for modeling form correctly. They seem simple but they’re not.


Clear colors, crisp shadows and a white jug for a little height.


These are just wooden toy blocks painted white with acrylic paint.


These are polystyrene balls which I’ve painted using acrylic. They’re not perfect – the bobbly surface disrupts the smooth change in value so I might invest in some wooden ones. Good enough for now though.