I’m really enjoying these smaller size paintings/sketches. They come together quickly and I can get two done in a session. And they’re turning out pretty well.
First we have an iris with those oh so tricky shadows on the yellow petals. Second was something completely different – a lighthouse and a seagull. I have lost where this actually is but I’m sure someone will know.
This is just really for interest. The left hand version I tried to match the colors and values exactly. This came out ok but it’s just really, really dull. I decided to try another version but more in the way I would usually paint. I think it’s more successful but still pretty dull. I could have finished it more but I just couldn’t summon the enthusiasm. Life’s to short to paint dull things.
In class last week someone requested a seascape scene with rocks. After browsing through my references I thought I’d throw in a lighthouse too as I can almost never resist a lighthouse painting.
This actually brought a lot of the things we’ve been practicing in exercises together. We have the value changes on the lighthouse (white cubes), edges and painting in layers on the rocks and skies. The only new thing is the water which we touched on in one lesson but only briefly.
If this hadn’t been for a lesson I would have pushed it a lot further. Especially the water which needs some more detail to better suggest the white foam and more depths in the blues. But I need this for tomorrow and didn’t want to trash the whole thing so here it is.
Some intermediates :
The drawing. Quite sparse here and only marking out the big shapes.
I was going to start with the sky and work down but the rocks were worrying me so I tackled these first. This wash is meant to hit the lightest values in the rocks and, as most of it will be covered up later it can be quite rough and ready with some slight color and value changes.
A darker color goes in in broad, squarish shapes to suggest the shadow side of the rocks and give them form. Some edges are left hard and others are blended out to reflect the hard and smooth sides of the rocks. The grassy area and the foreground are left with less value changes to keep the focus on the lighthouse and the rocks next to it.
The sky goes in with neat cerulean. I’m careful here to use the blue to define the edges of the lighthouse so it stands out against the sky. It doesn’t need to be too dark here – slight value changes are more effective in suggesting sunlight.
The water was a bit of a gamble. I really could have gone further here – after class tomorrow I may go back and add more detail.
The final stage was to add in the darks on the top of the lighthouse and smooth out some edges in the shadows so things don’t look too pasted on. I also darkened up the shadow side of the lighthouse a little and greyed it off compared to the sky.
There’s still stuff that’s annoying me but this will have to do for today.
I can’t usually resist painting a lighthouse and this is from our recent trip to Mystic, CT with some friends. We tried to walk down to see the lighthouse but couldn’t quite get there so this is from a photo taken by the ever lovely Heather Longden from the water.
Lots to like here. Great sense of sun and light and some nice subtle shadows. There will probably be more to come in this vein.
So what to do with the rest of the afternoon. Looking for something quirky I found this from a trip we made to Portland ME almost exactly a year ago. So why not? Not sure quite what to make of this one yet.
One of a series of lighthouses in a more naturalistic, subtle style.
Add To Cart
Another go attempting something with subdued color. Maybe a little too tentative in places but hangs together well.
A couple of intermediate shots below. I decided to use masking fluid for the lighthouse so I could sweep the sky in wet in wet. In the end I’m not convinced it was worth the trouble.
Here is a shot after the sky went in and I’m half way through the rocks. Always a bit of a gamble rocks but they’re progressing well here. Part of the secret is to be confident, vary the colors but don’t delineate every rock outline.
I have a bit of a tendency to overdo the colors in my paintings. For this one I decided to try and mute back everything, gray out the blues and the greens etc. It didn’t turn out to be a beautiful painting but there’s lots here I like. The scrubby brushwork on the rocks came out well as did the partial wet in wet for the lighthouse itself. All in all I think it’s positive