Michele Clamp Art

Life Class

Life Class Drawings

otherMichele ClampComment

Figure Drawing at Post Road Art

Some good and bad this week. And, boy, does 3 hours of drawing take it out of you. As is common the later drawings were more successful and the final 30 minute one above actually has hands and feet that are recognisable. No real tricks here - just improvement based on practice and observation.

So let’s have a run through. First the quick 2 minute sketches.

It’s surprising how much you can get down in two minutes. A lot of these have the general pose captured which is good to see. However if it starts out wrong all is lost and two minutes is too short to recover.

Next the 5 minuters:

Apparently there was only one of these which may mean I misannotated the drawings but anyway - I had trouble from the outset here and didn’t manage to get much down. Never say I only show the good stuff.

Now the 10 and 15 minuters :


Not too bad. A little stilted and I’m struggling with proportions still but I’m fairly pleased.

And the final 30 minute one.

All in all a good night’s work and some time after for some wine.

Life Class - The Cold Light of Day

otherMichele ClampComment

Life Class Drawing. Michele Clamp. Conte pencil on newsprint.

The last life class was a little frustrating. The pencil didn’t move quite how I wanted and the outcome wasn’t as successful as I’d hoped. This time was different and I felt everything was going really well. When I came to look again at the results this morning, however, I had a bit of a shock. Someone had come in overnight and replaced my beautifully nuanced gestural drawing with a set of badly proportioned, overworked, scribbles. So it goes. Sometimes it happens. Let’s see some evidence.

First some 2 minuters.

Just loosening up really. Our model was really great. Some really good poses and the way she varied her head angle really added interest.

Next some fives and 10s. this one I think was the best page of the night even though they’re only a 5 and a 10 minute pose.

Life drawing. Michele Clamp. Conte pencil on newsprint.


There’s some nice nuance in the lines here and flow to the poses. Even the hands and feet aren’t too shabby.

Some more 5 and 10s.

Next a couple of 15s.

Ok I suppose. As you can see I’m failing completely to capture any sense of a likeness in the face. They all look like completely different people.

Next the best one of the longer poses :

Life drawing. Michele Clamp. Conte pencil on newsprint.

This one has the best sense of the balance of the pose and the light. The hands are dealt with sparsely but descriptively. Yes - happy with this one.

And the final, long pose of the night. At the time I was very pleased with this but sadly disappointed when I came back to it.

And finally our glorious leader Andrew Cefalu. Terrible likeness again but the drawing has some life to it.