Summer Roses – Final Session

Summer Roses Final Session. Michele Clamp. Oil on Panel. 16″x20″

The final (ish) session on the summer roses with Paul Foxton. Hard to say how I feel about this right now. There are a few things I’d like to work on still but it’s very close to being done. Highly recommend Paul’s workshops. I learn a lot, the people are great and it’s enormous fun.

Summer Roses – Working up the Color Study

Color study take 2. Michele Clamp. Oil on paper. 8″x10″

Inspired by Marilyn on the Summer Roses group I decided to work up the color study a little. This gives me a little practice in readiness for the bigger version on Monday. Although softening the edges was tricky I think I’m fully prepared to dive into the real thing.

Here it is before I worked on it

Color study for Summer Roses first pass.

Summer Roses Paul Foxton Workshop – Session 5

Summer Roses Workshop with Paul Foxton. After session 5. Michele Clamp. Oil on panel. 16″x20″

It’s session 5 already! And we’re now onto putting some detail into the roses. We worked on the two main roses and it is extremely tricky. I think I’m happy right now but I’ll take another look tomorrow. I just about kept the form without losing value in the shadows or gaining it in the lights. And the inside curled petals just about came together.

Here’s where I started – all smooshed edges

The starting point

We first worked on the big left hand rose. Sharpening up some edges and leaving others loosely defined

Left hand rose with some definition

Then the right hand rose which was trickier but just about kept together.

Roses after session 5

And a detail of the two almost finished roses

Summer Roses Paul Foxton Workshop – In Progress. Michele Clamp. Oil on panel. 16″x20″. Detail.

Roses in Watercolor

David Austin Roses. Michele Clamp. Watercolor. 14″x11″

This was an experiment to see whether I could translate the oil process back into watercolor. Partially successful although I did lose the form a little on the left hand rose.

Here he is half way through. There’s a nice softness to it which I like.

David Austin Roses

We planted three David Austin rose bushes this year. Our track record with plants is hit or miss to put it generously so I was pretty pleased that they all flowered albeit sparsely and with tiny blooms. However – these are our own roses grown by our own fair hands. I don’t think this is quite finished yet. I need to leave it on the easel and see what it needs in the next couple of days. I’m pretty happy at the moment though. The values are good, the edges have a nice variety to them and they have some life.

Here are some intermediates:

This is the block in stage with the major values. Pretty much 2 or 3 for each flower, 2 for the leaves and 2 for the background. All hard edges right now and it looks pretty nasty.

All the edges are now softened with a combination of a comber brush and a soft sable. At this point I can start to see which areas will be left soft and which will be sharpened up.

Start of the sharpening stage.

This is right at the start of the process of refining and sharpening up the edges. Only a few edges have gone in but you can see it start to come to life. This is the magic bit!

Current state after refining edges

This is the current state. The edges have been redefined, some petal detail has gone in and some extra values. A good day’s work I think.

Rose Oil Painting – Block In Session

It’s a long haul this oil painting lark. Today was a 4 hour block in session. I’m working larger today on a 16″x20″ panel which was a lesson in itself. More paint, bigger brushes, and trying to keep the shapes interesting at a bigger scale.

First the drawing.

All the main colors were pre-mixed as we’d already done a color study.

The main rose colors went in along with some of the dark greens to check values.

Starting the block-in with light and shadow colors

More colors on the background flowers.

The final block in with all hard edges

Final Block-In with Softened Edges

And the final block in with all edges softened. Next will be refining the drawing, sharpening up some edges and putting in detail. Phew!