Another quick practice before the big workshop with Kathleen Speranza tomorrow. I keep forgetting I don’t have to rush to smooth edges in oil.
I’m off to a rose painting workshop next weekend with
. This will be in oils and I’ve done precisely one oil painting in my life previously. So obviously I need to at least come prepared with some idea of what to do.
Armed with my new grey-backed glass palette I ventured in with the palette knife and first tried mixing up some neutral value strings. Harder than it looks and boy does this paint need a lot of mixing. Next up was trying out my trusty fruit arrangement and trying to hit all the colors of the fruits on the light and shadow side. This was a little easier than in watercolor as I can see the final color on the palette in oil.
I tried a quick white cube with the neutral values but then thought ‘to hell with it’ and went in with the full fruit picture. Having spent the time mixing the colors beforehand things went a lot better than I had predicted. It really helped already knowing how the colors mix from the watercolor painting and I was fairly happy at this stage.
After leaving things overnight I went back in with the darkest darks and did a bit of edge smoothing (still need to get to grips with this properly). I was pretty chuffed with the final image. Flowers, of course, are a whole different kettle of fish.