I wasn’t going to let lighthouse views on my back doorstep go to waste so I was out bright and early to have another go at this one. I happily found a shady spot with a reasonable view down by the tennis court and set up ready to go. This time I wanted to make the lighthouse more prominent and hopefully cut down on the foreground. That didn’t quite happen – we still have that dreaded foreground. This was a strange one – usually if I’m enjoying a painting the end result is good. I was enjoying this enormously and some parts were coming out well. The sky behaved and the lighthouse itself I was very pleased with. It kind of fell apart when it came to the house/sea/foreground which was a bit of a shame. Never mind – it might grow on me over the next couple of days. (Edit: 3 days later and no, it hasn’t grown on me.)
This was built in 1870 and was the summer home of William Dean Howells who was the editor of the Atlantic Monthly. It’s a wonderful place.
There are 2 lighthouses visible from our back porch. Actually strictly speaking there are 3 but the third is so far away it doesn’t really count in painting terms. The prettiest is Portsmouth Harbor Light which is the traditional white with a dinky little red roofed house next door.
So what to say about this one? I’m pretty happy I think considering I’m painting outside and generally screw up. The composition leaves a lot to be desired but I’ll give myself a pass on this as I’m happy otherwise. Good color overall but had a big struggle with the foreground (again) but I think it was dragged back from the brink albeit a bit bedraggled.
It’s pretty warm here and I’m discovering that choosing something to paint depends a lot on finding somewhere to sit that isn’t roasting hot but still has something interesting in view. I know that some people have umbrellas that they attach to their easels/ground/themselves and maybe they’re worth it but it’s yet another thing to lug around. I’ve also seen people spend more time fiddling with the umbrella than painting and I have enough trouble keeping my easel under control. But I found a shady spot on a wall where I could sit out of the sun and still have my easel up. Not the perfect scene but good enough.
Frankly it came out very differently and better than I originally thought. The first aim was to just paint the boats and leave most of the foliage out. (Foliage is hard!). However it turned out that a lot of the foliage crept in and came out pretty well. Boats came together well – not too much detail, just enough to make sure you know it’s a boat. As always there are a couple of things annoying me . I put that boat smack bang in the center of the picture which I shouldn’t have. Also the sea needs a bit more punch – it’s pretty much the same color as the sky and I could have given it more color.
But on the whole – pretty chuffed.
Resting on the porch after a hard afternoon’s work.
We’ve rented a fabulous house for the week in Kittery Maine. It is right by the sea and has wonderful views of Portsmouth harbor. I can just step out the back door, set up the easel and paint. It’s wonderful.
Day 1. This is a view of part of next door’s garden. I haven’t painted landscapes in a while and summer greens are notoriously hard so this was a leap into the unknown.
To make things harder I started this the day before in the afternoon and finished the next day in the morning. This meant that all the shadows were reversed which was annoying. However I struggled on but almost gave up on it as I got towards the end. Everything was getting muddy and the trees were looking rather stodgy. Didn’t like it one bit immediately after I’d finished but it’s growing on me.
Trying another bash at digital painting on the iPad. These are using a pencil (iPencil?) with the Paper by 53 app. I’m trying hard not to get that overworked, oversmoothed look you often see with digital paintings. Takes forever though – much quicker to just paint the damn things.